SZA’s Intergalactic Escape, and eight Extra New Songs

The track SZA launched in a industrial through the Grammy Awards, “Saturn,” has now been separated from its credit-card plug and launched to streaming companies in a number of variations; one, the sped-up model, brings out its clear pop construction. However the real-time model is best. The track is a few eager for the higher place that her karma has earned: “Caught on this paradigm/Don’t consider in paradise,” she sings. Arpeggios glimmer round her; a boom-bap beat brings an undertow. Her vocal strains argue with the beat as she joins generations of Afrofuturists like Solar Ra, wanting past Earth and insisting, “There’s received to be extra.” JON PARELES

“Musow Danse” (“Girls’s Dance”) is the title observe of the jubilant new album by Les Amazones D’Afrique: a Pan-African, proudly multilingual alliance of singers and songwriters carrying feminist messages to bounce flooring. “Musow Danse” is propelled by gritty distorted electronics and conventional drumming; it options Mamani Keïta from Mali, Fafa Ruffino from Benin, Dobet Gnahoré from the Ivory Coast and Kandy Guira from Mali, singing (respectively) in Bambara, Fon, Bété and Mooré, and sharing the refrain, “Stand up African lady!” PARELES

On this cheekily named, kaleidoscopically catchy title observe from his upcoming third album, the zany digital producer A.G. Cook dinner turns a easy, hypnotically repeated Charli XCX chorus — “Brit, Brit, Brit, Brit, Brit, like Britpop” — into an alternate-universe nationwide anthem. As prismatic synths bounce off Charli’s more and more processed vocals, “Britpop” remembers the wild effervescence of Cook dinner’s finest work with the avant-pop collective PC Music, however its idea is refreshingly streamlined and direct. Blur and Oasis by no means did it fairly like this. LINDSAY ZOLADZ

Mark O’Connor’s 1991 recording of “The Ballad of Sally Anne” was so bouncy that its chilling, essential strains might nearly go unnoticed. They’re about Sally Anne’s husband, lynched on their wedding ceremony day: “As he hung from a tree she watched him die.” The longtime Nashville Music Row songwriter (and a novelist) Alice Randall collaborated on the track, tucking a Black story right into a white musician’s catalog as she usually did. “My Black Nation,” a tribute album of Randall’s songs recorded by Black girls, is due April 12. Shortly following her newfound publicity taking part in banjo on Beyoncé’s “Texas Maintain ’Em,” Rhiannon Giddens has reworked “The Ballad of Sally Anne” to convey out the haunted grief at its core. It has a brand new, minor-mode tune with fiddle and banjo upfront at first, later bolstered by jabbing horns. Sally Anne’s ghostly quest isn’t a hoedown any extra. PARELES

The lyrics seesaw between wry — “Cash makes issues appear so out of whack/Drive away in my blue Cadillac” — and forlorn: “Somebody inform me what the hell is mistaken/Nights at all times really feel quiet and too lengthy.” However the music leans optimistic. Like the remainder of her coming album, “Visions,” “Staring on the Wall” is a collaboration between Norah Jones and the producer and drummer Leon Michels. Between his backbeat and her twangy guitar, understated keyboards and reassuring vocal harmonies, it’s clear she’ll make it by means of her misgivings simply advantageous. PARELES

Adrianne Lenker sings about connections — “They are saying when it’s proper it’s proper” — that may final or disappear: friendship, infatuation, romance, marriage, household. In her feathery, quavery voice, she itemizes varied individuals’s names and conditions amid a six-beat internet of picked, manipulated guitar tones, exact however by no means sure. The guitars are prone to bend, float in, stutter or vanish at any second: as fragile and wanted because the human companionship she longs for. PARELES

The taut leadoff single from Kings of Leon’s forthcoming album “Can We Please Have Enjoyable” begins with restrained, palm-muted verses over which Caleb Followill deadpans some absurd strains: “A muscle journal subsequent to the bathroom, I’m getting massive and powerful simply fascinated with it.” However finally, after an preliminary fakeout, this seemingly arch track explodes into the form of cathartic rock refrain for which the band is understood. “Are you a mustang or a kitty?” Followill hollers. The reply appears to be the previous. ZOLADZ

“How a lot can I take, drowning in my ache?” Child Rose sings within the opening verse of “Breaking Level” from the brand new album, “I’ve By no means Been Right here Earlier than,” by the Brooklyn-based producer and rapper Erick the Architect. Over lush strings, his visitors sing about being on the brink of despair, however Erick’s rap preaches endurance, endurance and shared effort: “I might by no means swim with out you, tides is popping, we evolve!” PARELES

The keyboardist and composer Kelly Moran, who has labored with Oneohtrix Level By no means and FKA twigs, made her coming album, “Strikes within the Subject,” by meshing stay efficiency with materials she created on a Yamaha Disklavier, a computerized participant piano that may document and reprocess a musician’s efficiency, together with her contact. “Butterfly Part” layers a number of ranges of exercise: sustained chords, a thoughtfully unfolding melody and plinking, perpetual-motion eighth-notes, the sound of discovering a path by means of numerous glittering distractions. PARELES

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